Las óleos de todo Carl Rottmann
ID Image  Painting (From A to Z)       Details 
43989  
Carl Rottmann, Cefalu
  		 Cefalu   1830 Oil on canvas, 63 x 79 cm
90251  
Carl Rottmann, Die Insel Delos
  		 Die Insel Delos   1847(1847) Medium oil on paperboard Dimensions 35,5 x 45,5 cm cjr
88690  
Carl Rottmann, Inntal bei Neubeuern
  		 Inntal bei Neubeuern   1823(1823) Medium Oil on canvas Dimensions 32 x 46 cm (12.6 x 18.1 in) cjr
96686  
Carl Rottmann, Landscape on the island of Aegina
  		 Landscape on the island of Aegina   Oil on canvas Dimensions 57 x 57 cm cyf
43869  
Carl Rottmann, Marathon
  		 Marathon   157 x 200 cm
97847  
Carl Rottmann, Ruin of a chapel near a river with rising moon
  		 Ruin of a chapel near a river with rising moon   1820(1820) Medium oil on canvas mounted on panel Dimensions 36 x 44 cm cyf
33906  
Carl Rottmann, Sicyon and Corinth
  		 Sicyon and Corinth   mk87 c.1836-1838 Oil on canvas 85.2x102cm Munich,Bayerische Staatsgemaldesammlungen,Neue Pinakothek
40681  
Carl Rottmann, Sicyon and Corinth
  		 Sicyon and Corinth   mk156 c.1836-1838 Oil on canvas 85.2x102cm
38584  
Carl Rottmann, The Battlefield of Marathon
  		 The Battlefield of Marathon   mk137 c.1849 Oil on canvas 91x90.5cm
Carl Rottmann
German,1797-1850 was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel belonged to his school. Carl Anton Joseph Rottmann was born in Handschuhsheim (today a part of Heidelberg) on January 11, 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. In his first artistic period he painted atmospheric phenomena. In 1821 he moved to Munich, where his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court. This connection cleared the way for an acquaintance with King Ludwig, who in 1826-27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. Upon his return he received from King Ludwig I a commission for a monumental cycle of Italian landscapes in the arcade of the Munich Hofgarten. The cycle, completed in 1833 in fresco, gave visual expression to Ludwiges alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the Kinges other great commissions for monumental painting.



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